{"id":1450,"date":"2018-08-11T00:09:51","date_gmt":"2018-08-11T00:09:51","guid":{"rendered":"http:\/\/artappraisalclub.com\/?p=1450"},"modified":"2018-08-16T01:28:40","modified_gmt":"2018-08-16T01:28:40","slug":"27-july-2018","status":"publish","type":"post","link":"http:\/\/artappraisalclub.com\/en\/27-july-2018\/","title":{"rendered":"27 July 2018"},"content":{"rendered":"<p>Reports from Echigo-Tsumari Art Field, around #HKHouse: rising to a morning of blazing cicada calls, brisk winds, and terraced rice fields bursting in abundance. Recalling Hong Kong Farmers&#8217; round veggie fields in Maitsuda that demand different kinds of attention. On the same note of &#8216;attention&#8217;, previewing #HongKongHouse, #LeungChiWo &amp; #SaraWongChihang&#8217;s Tsunan Museum of the Lost: The artists pay tribute to persons unintentionally captured in old photographs of residents in the region. Utilizing multiple local archives, with meticulous studies into each person&#8217;s attire, adornment, and the circumstances they are in (eg. a gust lifts the tail of a man&#8217;s suit, a badminton player ready to hit the shuttlecock&#8230;), the artists become their semblance, which is then presented as full-sized portraits. I find this gesture of embodiment the most moving: in each semblance is not only a person but an encounter, without dismissing the incommensurable distance in-between. The work involves the leashing and unleashing of this distance; perhaps also a whisper: &#8220;How ready are we to let others into our regard?&#8221; I do wonder if the standardized format of the photographic works offer the best access to the subtlety of the artists&#8217; experience. (Yang Yeung)<\/p>\n<figure id=\"attachment_1451\" aria-describedby=\"caption-attachment-1451\" style=\"width: 850px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" class=\"size-full wp-image-1451\" src=\"http:\/\/artappraisalclub.com\/wp-content\/uploads\/2018\/08\/27B_01.jpg\" alt=\"\" width=\"850\" height=\"638\" srcset=\"http:\/\/artappraisalclub.com\/wp-content\/uploads\/2018\/08\/27B_01.jpg 850w, http:\/\/artappraisalclub.com\/wp-content\/uploads\/2018\/08\/27B_01-300x225.jpg 300w, http:\/\/artappraisalclub.com\/wp-content\/uploads\/2018\/08\/27B_01-768x576.jpg 768w, http:\/\/artappraisalclub.com\/wp-content\/uploads\/2018\/08\/27B_01-316x237.jpg 316w\" sizes=\"(max-width: 850px) 100vw, 850px\" \/><figcaption id=\"caption-attachment-1451\" class=\"wp-caption-text\">Hong Kong House at Echigo Tsumari Art Triennale 2018<\/figcaption><\/figure>\n<p><img loading=\"lazy\" class=\"alignnone size-large wp-image-1452\" src=\"http:\/\/artappraisalclub.com\/wp-content\/uploads\/2018\/08\/27B_02.jpg\" alt=\"\" width=\"850\" height=\"638\" srcset=\"http:\/\/artappraisalclub.com\/wp-content\/uploads\/2018\/08\/27B_02.jpg 850w, http:\/\/artappraisalclub.com\/wp-content\/uploads\/2018\/08\/27B_02-300x225.jpg 300w, http:\/\/artappraisalclub.com\/wp-content\/uploads\/2018\/08\/27B_02-768x576.jpg 768w, http:\/\/artappraisalclub.com\/wp-content\/uploads\/2018\/08\/27B_02-316x237.jpg 316w\" sizes=\"(max-width: 850px) 100vw, 850px\" \/> <img loading=\"lazy\" class=\"alignnone size-large wp-image-1453\" src=\"http:\/\/artappraisalclub.com\/wp-content\/uploads\/2018\/08\/27B_03.jpg\" alt=\"\" width=\"719\" height=\"960\" srcset=\"http:\/\/artappraisalclub.com\/wp-content\/uploads\/2018\/08\/27B_03.jpg 719w, http:\/\/artappraisalclub.com\/wp-content\/uploads\/2018\/08\/27B_03-225x300.jpg 225w, http:\/\/artappraisalclub.com\/wp-content\/uploads\/2018\/08\/27B_03-300x400.jpg 300w\" sizes=\"(max-width: 719px) 100vw, 719px\" \/><\/p>","protected":false},"excerpt":{"rendered":"<p>Reports from Echigo-Tsumari Art Field, around #HKHouse: rising to a morning of blazing cicada calls, brisk winds, and terraced rice [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":1451,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[18],"tags":[],"_links":{"self":[{"href":"http:\/\/artappraisalclub.com\/en\/wp-json\/wp\/v2\/posts\/1450"}],"collection":[{"href":"http:\/\/artappraisalclub.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/artappraisalclub.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/artappraisalclub.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/artappraisalclub.com\/en\/wp-json\/wp\/v2\/comments?post=1450"}],"version-history":[{"count":1,"href":"http:\/\/artappraisalclub.com\/en\/wp-json\/wp\/v2\/posts\/1450\/revisions"}],"predecessor-version":[{"id":1454,"href":"http:\/\/artappraisalclub.com\/en\/wp-json\/wp\/v2\/posts\/1450\/revisions\/1454"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/artappraisalclub.com\/en\/wp-json\/wp\/v2\/media\/1451"}],"wp:attachment":[{"href":"http:\/\/artappraisalclub.com\/en\/wp-json\/wp\/v2\/media?parent=1450"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/artappraisalclub.com\/en\/wp-json\/wp\/v2\/categories?post=1450"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/artappraisalclub.com\/en\/wp-json\/wp\/v2\/tags?post=1450"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}